Artists’ Cinema: Projected Images Malcolm Le Grice – Threshold (1972) – YouTube In Fall 1974, Muhammad Ali knocked out George Foreman in 8 rounds in The Rumble in the Jungle, Roman Polanski’s Chinatown was playing in theatres, and a brand new Walker film/video department opened their first gallery exhibition. This

Future Cinema (2002) on Vimeo Preface One aspect of globalisation is the development of a worldwide network of technological standards and production. This production costs encouraged investment in new digital technologies, in general, the price of globalisation is standardisation: optimise existing formulas and freezes the process of technological and expressive

TEMPORALITIES Space research

“To die will be an awfully big adventure.” -Peter pan- From Chrismas, I worked very hard and trying to do my best. First thing I want to make clear is “I was not that kind of person who only works and only works”. I love to drink, I love to

I always thought I was born as a communication designer. But I started to doubt about contemporary design itself. “Personal Curiosity in the field is a SIN but the curiosity engaging with society is correct” I just wanted to ask, why pure curiosity and pure desire is claimed as a

Continued from 1902 Pin-up testing Video Testing

References ACCESS, 2003 https://0100101110101101.org/ Shredder Shredder-1.1

0. Questions * What is the communication in contemporary era * Learning from the previous study? * How it is presenting on the frame 1. Mapping the idea 2. Text References * Onset: Onset detection from the sound * Daniel Shiffman-The Nature of Code_ Simulating Natural Systems with Processing-The Nature of Code (2012) * Digital image

1. In your opinion, what are the intentions of the work? * The intention of the work seems to be how changing the frame changes what you see in it * the meaning (why) is not clear * why is the sound important? 1. what is being communicated? * The pixels are changing the

COMPUTER VISION IN INTERACTIVE ART Videoplace, Myron Krueger (1985) – YouTube Ryoji Ikeda – dataplex (Full Album) – YouTube 뉴미디어의 원리 [New Media] * 수적 재현(numerical representation) * 모듈성(modularity) * 자동화(automation) * 가변성(variability) * 부호 변환(cultural transcoding) * seeing에 대한 수적 재현 * 규격적 재현 * 자동 재현 * 재현에 대한 프레임적 변환 가능성 ( 다른 프레임을 향한

Wikipedia.org. (2018). Four-dimensional space. [online] Available at: https://en.wikipedia.org/wiki/Four-dimensional_space [Accessed 18 Jan. 2018]. Wikipedia.org. (2018). Tesseract. [online] Available at: https://en.wikipedia.org/wiki/Tesseract [Accessed 18 Jan. 2018]. Hiroshi Sugimoto Pixels in Memory Openframeworks.cc. (2018). ofBook – Image Processing and Computer Vision.

I believe Visual language is the strongest communication tool to deliver the invisible idea to visible, through the human sense. Primarily, the photography has the signified which the event has already happened in the past. The moment we called “evidence of the past” constitutes the elements of the photography that