Atmospheric Frame

Deleuze and Moving Time (kr)

“실제로 예술가들 또한 사유한다. 그러나 그들은 자신들의 이념아 스스로 작업하는 질료에 내재적이라고 생각하기 때문에 시간과 공간의 구축을 통해 사유한다.” (Rodowick, 2005, p. 11) 이틀 전 로도윅의 책 “들뢰즈의 시간기계”를 다시 읽었다. 읽은 김에 정리해 놓는 것이 좋을 것 같아서 일단 한국어로 대강대강 노트를 해볼까 한다. 그리고 아마도 이어서 어제

Gallery

Flatness and Donatello

I went to the V&A today to see Donatello’s sculpture works. Although it was less about Donatello but related to similar styles or influenced by him, it is worth seeing at least once for those who study Deleuze’s Logic of Sensation. I personally think it would

Essay

An Idea that Haunts Me, Spatial Emotion and Temporal Memory

This text is written in course of discussion of Hauntology with Possible, Probable, and Preferable (PPP). As I have little knowledge about Hauntology, this text is purely speculative and personal in terms of its understanding of Ghost and Ontology. As the name suggests, this name, Hauntology, reminds me of a

Bazin

Realistic as Photographed

Which is a realistic colour? This question arose in the middle of editing my video. Below the image are two identical screenshots from my square frame project. The only difference here is the colour adjustment. It is a very subtle change between the two, but it also strongly affects the

Practice

Collaborative Exhibition (September Update)

There are two things that go together. One is my personal practice of developing the square frame style with the sensation of floating and hovering, which connotes, I believe, contemporary subjectivity in the radically digitalised and globalised environment. The other is a collaborative practice within the exhibiting of artwork. Both

Essay

A Time of Lost Name ≈ The Water Ghost

I love to see the water. The ocean or the river? All have their own charm. By looking at them, I forget everything around me and even myself. I sometimes fear seeing them for too long, as if I will be taken by them for good. Or is that what

Essay

An Ordinary Life

This text is part of a collaborative discussion on “normal” or “dailylife.” The year of children has its routine, its ritual is governed by the seasons; A lonely child plays with eternity, while a pack of children play with time. (Karel Čapek, K (2012) An Ordinary Life, p. 29) What

Calvino

A Note from Notes from Calvino

As part of my study on the Oulipo, I read Italo Calvino’s book Six Memos for the Next Millennium (1988). This book revolves around five topics Calvino prepared for the lecture at Harvard University in 1984, following Charles Eliot Norton’s poetry lectures. The five topics include Lightness, Quickness,

Oulipo

Oulipo, Purposeful Constraints

Starting from Roland Barthes, Haiku, and Shijo, the most striking character in those discussions was constraints/structure within practices. As I described in a previous post, those practices strictly follow specific rules that define the practice itself. For instance, Haiku follows word count or the main topic, season words. Thereby,

Practice

Planning for the Bracket

It was Roland Barthes I started to interest in Haiku. Frankly speaking, as a Korean, I’ve studied Japanese culture in a very critical way. It does not represent the entire Asian culture but a very specific part of the earth, which once tried to remove Korean culture during the

Barthes

Barthe and Deleuze's Interrupted Rhythm

Introduction During tense research and thinking, critical reflection often causes questions about the method and ethics of the research. Endless doubts and suspicions dry me into the desert. Then, I go back to relax. From his writing, his kindness and warmth are delivered, and he tells me to ‘relax and

Short

Jonas Mekas

Why have I never watched Jonas Mekas's Film? Walden (Diaries, Notes and Sketches) (1968-69) is an amazing film. Or should I call it an amazing visual diary? In his lecture, he told his students a lot about the places. About New York and moving to Lithuania. Why he

Arthur Danto, Moving Picture

Ref: Danto, A. C. (2006) ‘Moving Pictures’, in Noël Carroll & Jinhee Choi (eds.) Philosophy of film and motion pictures: An Anthology. Blackwell philosophy anthologies. Malden, MA: Blackwell Pub. p. 103-112 Danto_2006_Moving-PicturesDownload Section I (100-103) Moving Picture in Picture history (Comparison between film, painting, and drama) 섹션 1에서

Deleuze

Foucault’s Essence in Deleuze

Only in Korean and English will be posted later. Keywords * Density of Bodies * Incorporeal (Stoic) * Thinking = object of thought * Phantasm (Freudian) * thought is itself capable of thought freed from subject and the object * Repeats thought * Event * thought-event = singular as a throw of the dice Foucault’s Deleuze 우연히 찾게된 알라딘의

Foucault

Foucault, Literature, Essence in Deleuze

우연히 찾게된 알라딘의 한 리뷰, 람흔이라는 이름으로 쓰여진 이 글에는 푸코와 루셀에 관한 이어짐 그리고 루셀에 대한 중요성을 알아본 들뢰즈에 대한 이야기가 짤막하게 적혀있다. 그는 푸코가 극히 적은 경우에 한하여 문학에 관하여 논의하였지만 루셀에 대한 논의의 중요성을 매우 적은 사람, 들뢰즈, 만이 알아보았다고 이야기한다. 푸코가 읽는 들뢰즈로 돌아가보자, 푸코는 들뢰즈의

Gallery

National Museum of Korea

I’m not an expert in Religion or History, but I found two subjects fascinating. Firstly, the Korean Maps of the 14th and 18th centuries were fascinating in terms of their symbolic abstraction and accuracy. I will probably write more about those maps in a later article, but today, I

Academic

Present Presentation

Yesterday, I finished my presentation in the colloquium. Although I prepared my script for the presentation, I felt I needed to fix many things for my presentation, maybe for later. It is interesting to present one’s work, especially when it is not a single experiment but a whole year’

Research

Present presentation in Colloquium

Yesterday, I finished my presentation in the colloquium. Although I prepared my script for the presentation, I felt I needed to fix many things for my presentation, maybe for later. It is interesting how to present one’s own work, especially when it is not a single experiment but a

Close-up and Cinema

Main Reference: Mary Ann Doane, ‘The Close-up: Scale and Detail in the Cinema’, Differences, 14.3 (2003), 89–111 https://doi.org/10.1215/10407391-14-3-89. Tags: #cinema #Montage #Eisenstein #Epstein Reference at the front from Main reference, at the end from second reference 90 엡스테인 * 가장 오래된 필름 이론중의 하나인

Deleuze and Diagram in the Architectural Point of View

Reference: Ben van Berkel and Caroline Bos, ‘Diagrams: Interactive Instruments in Operation’, in This Is Not Architecture: Media Constructions (London; New York: Routledge, 2002) * Architecture still articulates its concepts, design decisions, and processes almost exclusively through posteriori rationalisations. * The compulsive force of legitimising arguments still dominates contemporary debate, * Since architecture

Where is My World?

In my childhood, computer game was a fixed space, without time or location. There was an event, and game items, but it was a fixed spacetime. During the game, I was able to divide the space inside the computer and the real physical space. As much physical time was frozen,

SEEABLE RELATIONSHIP. SAYABLE CONNECTION #04: In Search of Lost Time

This post is not organised writing or essay, but the fragmented thought. In the Dream and In-between Once the dream was known as the future to come. It shows the messages from the ancestors to warn the dangers or fortunes. Or, it was a desire that is suppressed long time,

Merleau-Ponty (1948) - the World of Perception & the World of Science

The Place of Artists’ Cinema

Reference: Maeve Connolly, The Place of Artists’ Cinema: Space, Site and Screen (Bristol: Intellect, 2009) Chapter 5 165 * Recent years have seen a new wave of artists directing feature films devised for theatrical exhibition. Profiling ‘Hollywood’s New Wave’ in 2006, Linda Yablonsky claims that ‘more and more artists are

Media-archaeology and Artist: Rear‐View Mirror

202003290348 — Media-archaeology and Artist: Rear‐View Mirror Reference: Erkki Huhtamo, ‘Art in the Rear‐View Mirror: The Media‐Archaeological Tradition in Art’, in A Companion to Digital Art, ed. by Christiane Paul (Chichester, West Sussex ; Malden, MA: John Wiley & Sons Inc, 2016), 69- 일반학자들과 미디어 고고학과의 관계 69 * Devices