Atmospheric Frame (Page 2)

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Barthe and Deleuze's Interrupted Rhythm

바르트의 Neutral 개념은 의미와 구조적 패러다임을 거부하며, 윤리적이고 미학적인 실천을 통해 갈등과 대립을 회피하는 방식을 탐구한다. 그는 후기 저작에서 노타시온(notation), 하이쿠(Haiku), 시조(Sijo) 같은 형식을 활용하여 언어의 규범성과 정치적 논쟁을 초월하려 했다. "패러다임을 회피하는 것은 치열하고 강렬한 활동이다" (Barthes, 2005, p. 7). 바르트는 영화적 경험을 단순한

Jonas Mekas

Why have I never watched Jonas Mekas's Film? Walden (Diaries, Notes and Sketches) (1968-69) is an amazing film. Or should I call it an amazing visual diary? In his lecture, he told his students a lot about the places. About New York and moving to Lithuania. Why he

Arthur Danto, Moving Picture

Ref: Danto, A. C. (2006) ‘Moving Pictures’, in Noël Carroll & Jinhee Choi (eds.) Philosophy of film and motion pictures: An Anthology. Blackwell philosophy anthologies. Malden, MA: Blackwell Pub. p. 103-112 Arthur C. Danto, in Moving Pictures, examines the distinction between film and theatre, shifting the focus from environmental factors

Foucault’s Essence in Deleuze

Only in Korean and English will be posted later. Keywords * Density of Bodies * Incorporeal (Stoic) * Thinking = object of thought * Phantasm (Freudian) * thought is itself capable of thought freed from subject and the object * Repeats thought * Event * thought-event = singular as a throw of the dice Foucault’s Deleuze 우연히 찾게된 알라딘의

Foucault, Literature, Essence in Deleuze

우연히 찾게된 알라딘의 한 리뷰, 람흔이라는 이름으로 쓰여진 이 글에는 푸코와 루셀에 관한 이어짐 그리고 루셀에 대한 중요성을 알아본 들뢰즈에 대한 이야기가 짤막하게 적혀있다. 그는 푸코가 극히 적은 경우에 한하여 문학에 관하여 논의하였지만 루셀에 대한 논의의 중요성을 매우 적은 사람, 들뢰즈, 만이 알아보았다고 이야기한다. 푸코가 읽는 들뢰즈로 돌아가보자, 푸코는 들뢰즈의

National Museum of Korea

I’m not an expert in Religion or History, but I found two subjects fascinating. Firstly, the Korean Maps of the 14th and 18th centuries were fascinating in terms of their symbolic abstraction and accuracy. I will probably write more about those maps in a later article, but today, I

Present Presentation

Yesterday, I finished my presentation in the colloquium. Although I prepared my script for the presentation, I felt I needed to fix many things for my presentation, maybe for later. It is interesting to present one’s work, especially when it is not a single experiment but a whole year’

Present presentation in Colloquium

Yesterday, I finished my presentation in the colloquium. Although I prepared my script for the presentation, I felt I needed to fix many things for my presentation, maybe for later. It is interesting how to present one’s own work, especially when it is not a single experiment but a

Close-up and Cinema

Main Reference: Mary Ann Doane, ‘The Close-up: Scale and Detail in the Cinema’, Differences, 14.3 (2003), 89–111 https://doi.org/10.1215/10407391-14-3-89. Tags: #cinema #Montage #Eisenstein #Epstein Reference at the front from Main reference, at the end from second reference 메리 앤 도언의 The Close-up: Scale and

Deleuze and Diagram in the Architectural Point of View

Architecture continues to articulate its concepts, design decisions, and processes predominantly through posteriori rationalisation. "The compulsive force of legitimising arguments still dominates contemporary debate" (van Berkel & Bos, 2002). Since architecture today—at least in open, democratic Western societies—is the result of an institutionalised, cooperative process involving