Topic

Reading

A collection of 6 issues

Deleuze and Diagram in the Architectural Point of View

Architecture continues to articulate its concepts, design decisions, and processes predominantly through posteriori rationalisation. "The compulsive force of legitimising arguments still dominates contemporary debate" (van Berkel & Bos, 2002). Since architecture today—at least in open, democratic Western societies—is the result of an institutionalised, cooperative process involving

The Place of Artists’ Cinema

Reference: Maeve Connolly, The Place of Artists’ Cinema: Space, Site and Screen (Bristol: Intellect, 2009) Chapter 5 165 * Recent years have seen a new wave of artists directing feature films devised for theatrical exhibition. Profiling ‘Hollywood’s New Wave’ in 2006, Linda Yablonsky claims that ‘more and more artists are

Media-archaeology and Artist: Rear‐View Mirror

Reference: Erkki Huhtamo, ‘Art in the Rear‐View Mirror: The Media‐Archaeological Tradition in Art’, in A Companion to Digital Art, ed. by Christiane Paul (Chichester, West Sussex ; Malden, MA: John Wiley & Sons Inc, 2016), 69- Introduction Media archaeology has emerged as a critical framework for analysing technological and

Peter Wollen’s Relationship Between Photography and Time

Photography is like a point, Film like a line. — Peter Wollen Photography near-zero duration and located in an ever-receding ‘then’. At the same time, the spectator’s ‘now’, the moment of looking at the image, has no fixed duration. Roland Barthes Barthes’ antipathy towards the cinema, which is because his

Indexicality

Movement-Image Sign

The Glossary Table below can be continued by reading on Deleuze’s Time-Image in Bergson’s Time Cinema Time