Atmospheric Frame (Page 7)

More issues

Again, Frame as A Space

0. Questions * What is the communication in the contemporary era * Learning from the previous study? * How is it presenting on the frame 1. Mapping the idea 2. Text References * Onset: Onset detection from the sound * Daniel Shiffman–The Nature of Code_ Simulating Natural Systems with Processing-The Nature of Code (2012)

A Man Replaced Retina / Zbig Rybczynski

Golan-Levin-and-CollaboratorsDownload The culture Between international and organic in reality have a different direction. To explain the picture of the organic culture, Lev metaphorically called it as “Remix”. After postmodernism, which was the remix of the traditional and modern style, and now the second step of the remix triggered remix of

MAGCD Pinup 22 JAN 2018

1. In your opinion, what are the intentions of the work? * The intention of the work seems to be how changing the frame changes what you see in it * the meaning (why) is not clear * why is the sound important? 1. what is being communicated? * The pixels are changing the

Screen & Computer Vision

COMPUTER VISION IN INTERACTIVE ART Videoplace, Myron Krueger (1985) – YouTube Ryoji Ikeda – dataplex (Full Album) – YouTube 뉴미디어의 원리 [New Media] * 수적 재현(numerical representation) * 모듈성(modularity) * 자동화(automation) * 가변성(variability) * 부호 변환(cultural transcoding) * seeing에 대한 수적 재현 * 규격적 재현 * 자동 재현 * 재현에 대한 프레임적 변환 가능성 ( 다른 프레임을 향한

Four-dimensional Space

Wikipedia.org. (2018). Four-dimensional space. [online] Available at: https://en.wikipedia.org/wiki/Four-dimensional_space [Accessed 18 Jan. 2018]. Wikipedia.org. (2018). Tesseract. [online] Available at: https://en.wikipedia.org/wiki/Tesseract [Accessed 18 Jan. 2018]. Hiroshi Sugimoto Pixels in Memory Openframeworks.cc. (2018). ofBook – Image Processing and Computer Vision.

The Animal and Frame

Still Moving

Sound-on-film

Baudrillard, ‘Fetishism and Ideology’

There is no such thing as pure visuality, except as a concept or a theoretical construction, generated in a historically and culturally specific context. The work of art that consists solely of an idea is a collective fantasy that has haunted the history of modern art. The regime of visuality

Willem Oorebeek

He opts for illustrations, passages of writing, or manipulated images that have an autonomy without being too recognisable or seductive. Although images in general only have any meaning in a particular context or when linked to specific information, Oorebeek gives the images he chooses a certain independence. His selection thus