There are two things that go together. One is my personal practice of developing the square frame style with the sensation of floating and hovering, which connotes, I believe, contemporary subjectivity in the radically digitalised and globalised environment. The other is a collaborative practice within the exhibiting of artwork. Both

It was Roland Barthes I started to interest in Haiku. Frankly speaking, as a Korean, I’ve studied Japanese culture in a very critical way. It does not represent the entire Asian culture but a very specific part of the earth, which once tried to remove Korean culture during the