Collaborative Exhibition (September Update) There are two things that go together. One is my personal practice of developing the square frame style with the sensation of floating and hovering, which connotes, I believe, contemporary subjectivity in the radically digitalised and globalised environment. The other is a collaborative practice within the exhibiting of artwork. Both
Planning for the Bracket It was Roland Barthes I started to interest in Haiku. Frankly speaking, as a Korean, I’ve studied Japanese culture in a very critical way. It does not represent the entire Asian culture but a very specific part of the earth, which once tried to remove Korean culture during the