What is the purpose of the photography? Depending on the profession or the situation, or even the devices. It can be various. Most of the time, especially with my phone , I take photos to remember the moment that I was there, or I found something to remain as a resource.

What is the nature of making art? If it is not simply about fashioning forms and colours, then it has to do with the production of meaning…If you begin there you realize that potentially everything is material for art, because at some point it has to have an aspect

This post is not organised writing or essay, but the fragmented thought. Previous Were we to attempt to see the intervals between things as themselves things, the appearance of the world would be just as noticeably changed Merleau-Ponty, Maurice, and Donald A. Landes, Phenomenology of Perception (Abingdon, Oxon ; New York:

This post is not organised writing or essay, but a fragmented thought. #01 From the last posting, I think it is worth continuing the topic. Although I am interested in the topic of the moment of becoming ‘seeable’ or the after a moment of affection (I guess I should read

When I first saw him. The seeing is not about the biological vision, but a moment of recognition about a person, as in front of you or in the same space. It can be anywhere–a first meeting, or a date, or in a party. This visibility can be triggered

I’m listening to music. What else I can do? In this time, in this mood. I cannot read anymore, I cannot watch anything. I won’t call it depression or sorrow, whatever makes me sound like weak or stupid. I know I am already self-indulgent, but if you want

Why do I like moving image? Is it because it makes me less lonely? or it makes me hard to think anything else than images? When looking back at my work at BA and MA, most of them were cute drawings or pseudo infographics (well, if I can go back

We

I just suddenly started writing and didn’t notice this long… just wrote anything without conclusion…Sometimes I feel that the connotation of ‘desire’ is, even in Art institutions, inevitably connected with negativity. In many time, desire to live, to be loved, to be happy, and beauty–either sexually or

Photography is like a point, Film like a line. — Peter Wollen Photography near-zero duration and located in an ever-receding ‘then’. At the same time, the spectator’s ‘now’, the moment of looking at the image, has no fixed duration. Roland Barthes Barthes’ antipathy towards the cinema, which is because his

Reference: Bruno, G. (2003) ‘Collection and Recollection: On Film Itineraries and Museum Walks’, in Camera Obscura, Camera Lucida: Essays in Honor of Annette Michelson. Amsterdam: Amsterdam University Press (Film culture in transition). Theories 13세기 부터 유행한 기억술은 기본적으로 수집(collection)과 재수집(recollection 회상)을 통해 공간을 맵핑하는 것과 연결

Reference: Turvey, M. (2003) ‘Introduction’, in Michelson, A., Allen, R., and Turvey, M. (eds) Camera Obscura, Camera Lucida: Essays in Honor of Annette Michelson. Amsterdam: Amsterdam University Press (Film culture in transition). Summary: 60년대 중반에 이르러 데리다가 미국에 유입되었고 이러한 흐름은 프랑스의 68의 흐름과 더불어 ‘resistance to semantic function’ 새롭게

* Benjamin’s cultural theory is significantly oriented toward the avant-garde as the corollary(필연적 결과적) to the implicit (내제하는) dangers of the society of the spectacle. * @Guy_Debord와 이 사상을 공유한다. -> an insistence on dismantling the society of the spectacle) @Benjamin’s understanding of the urgency of his

The frame started its history accompanied by the image. It shifted its form from the spatial environment, virtual image, spatial object, and once again into the spatial and time-based environment. In cinema, it is possible to speak a message through the narrative or by an actor’s line. The narrative

1. Setting Takes too long time -> need to change to wire 2. Window cabinet between the office offers the poor environment for projector -> technician(Mike) advised, real space at the Lethaby will have better light.  3. the wire between the panels slightly disrupting the beauty.

1. SYMBOL – Causality – Moving Image ver 1. ver 2. ver 3. ver 4. test 2. INDEX – rules & laws – Frame Conceived for Fabergé’s Easter storefront display, the 360-degree mapped 3D installation is based on the company’s pendent designs – which are 1/100th of the size of the 1.

Screen-based sculpture and experimental artworks in the late 1960~1970s in which the cinematic process and the screen itself emerge as an object of investigation. Viewing regimes are literally and figuratively put on display in these environments. emotion -> sound -> sound -> visual structure is not

The-language-of-new-media 71p New representational style of semi-abstraction which, along with photography, became the “international style” of modern visual culture, required the viewer to reconstruct the represented objects from the bare minimum — a contour, few patches of colour, shadows cast by the objects not represented directly. International style and organical culture