Il Sun Moon

Il Sun Moon

https://moonilsun.com

Desired Desires

I just suddenly started writing and didn’t realize it had become this long… I wrote without any conclusion. Sometimes I feel that the connotation of “desire,” even within art institutions, is inevitably linked with negativity. Often, the desire to live, to be loved, to be happy, and to experience

Processing: Pixels to Sound

Peter Wollen’s Relationship Between Photography and Time

Photography is like a point, Film like a line. — Peter Wollen Photography near-zero duration and located in an ever-receding ‘then’. At the same time, the spectator’s ‘now’, the moment of looking at the image, has no fixed duration. Roland Barthes Barthes’ antipathy towards the cinema, which is because his

Wheeling Motion and Memory

Reference: Bruno, G. (2003) ‘Collection and Recollection: On Film Itineraries and Museum Walks’, in Camera Obscura, Camera Lucida: Essays in Honor of Annette Michelson. Amsterdam: Amsterdam University Press (Film culture in transition). Theories 13세기 부터 유행한 기억술은 기본적으로 수집(collection)과 재수집(recollection 회상)을 통해 공간을 맵핑하는 것과 연결

Annette Michelson's Camera Obscura, Camera Lucida

Reference: Turvey, M. (2003) ‘Introduction’, in Michelson, A., Allen, R., and Turvey, M. (eds) Camera Obscura, Camera Lucida: Essays in Honor of Annette Michelson. Amsterdam: Amsterdam University Press (Film culture in transition). Summary: 60년대 중반에 이르러 데리다가 미국에 유입되었고 이러한 흐름은 프랑스의 68의 흐름과 더불어 ‘resistance to semantic function’ 새롭게

Indexicality

Walter Benjamin and Archival Cultural Theory

* Benjamin’s cultural theory is significantly oriented toward the avant-garde as the corollary(필연적 결과적) to the implicit (내제하는) dangers of the society of the spectacle. * @Guy_Debord와 이 사상을 공유한다. -> an insistence on dismantling the society of the spectacle) @Benjamin’s understanding of the urgency of his

Archiveology

Design – Directed, Controlled, and Persuasive

The frame started its history accompanied by the image. It shifted its form from the spatial environment, virtual image, spatial object, and once again into the spatial and time-based environment. In cinema, it is possible to speak a message through the narrative or by an actor’s line. The narrative

HalfandHalf_Walking